Grateful Dead
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Re: Grateful Dead
par upfromtheskies 19.06.12 17:24
Dans le même numéro, un article sur les New Riders of the Purple Sage (ouf!) avec une belle photo de Jerry Garcia (qui a une superbe Les Paul avec cordier ).
"De retour à Los Altos, John Marmaduke Dawson est, en 1965, un des habitués très connus...
"De retour à Los Altos, John Marmaduke Dawson est, en 1965, un des habitués très connus...
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Re: Grateful Dead
par vincent 19.06.12 19:06
tu n'imagines pas à quel point tu me fais plaisir... 1000 fois Merci...
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Re: Grateful Dead
par upfromtheskies 19.06.12 19:12
Tes remerciements me touchent.
Je ne pouvais pas recevoir un accueil plus gratifiant!
A plus!
Je ne pouvais pas recevoir un accueil plus gratifiant!
A plus!
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Re: Grateful Dead
par Ayler 19.06.12 21:18
Si tu fais ici l'équivalent de ce que tu as fait sur le Forum JH, on va se régaler !
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Re: Grateful Dead
par vincent 20.06.12 9:43
Depuis ce matin, il est disponible à la précommande. Attention seulement 2800 exemplaires restant...
Dave's Picks Volume 3
October 22, 1971
$27.98
Listen to free streams from
Dave's Picks, Volume 3
DAVE’S PICKS VOL.3 FEATURES SHOWS FROM KEITH’S FIRST TOUR!
In all the years that archival Grateful Dead recordings have been coming out, there have been only two from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a third: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.
Keith came into the band in mid-September ’71, at a time when Pigpen was desperately ill and the band was hungering for something new to help fill out their sound. A sparkling pianist, Keith was a complete unknown at the time, yet, miraculously it seemed, fit in with the Dead immediately. The live “Skull & Roses” double-album (recorded in the winter-spring of ’71) had just come out, and the band was still enjoying a surge of unprecedented popularity since Workingman’s Dead and American Beauty had come out the previous year. They were on a roll!
Never ones to rest on their laurels, however, the band continued their torrid pace of introducing new songs: “Sugaree” and “Brown-Eyed Women” first appeared in the summer of ’71, and that fall, when the band with Keith hit the road, starting out in Minneapolis (10/19) and then moving on to Chicago (10/21-22), they had a whole bunch of other freshly minted tunes to waiting to be born—“Tennessee Jed,” “Jack Straw,” “Mexicali Blues,” “Ramble On Rose,” “Comes A Time” and “One More Saturday Night,” all of which appear on this set.
The sparkle and verve that Keith brought to the band is immediately apparent, as he tears through rockers and bouncy mid-tempo numbers with the confidence of someone who had been playing this music forever. If the quiet keyboardist was nervous or unsure of himself on this first jaunt, it certainly wasn’t apparent. And you can feel the electricity in the rest of the band, as Jerry, Phil, Bob and Bill absorb and play off of the amazingly inventive musings of their new recruit. Of course Pigpen’s absence was deeply felt (and the band acknowledged it at every stop), but Keith’s entrance was so seamless and the energy he injected into the music so impressive, the group didn’t appear to lose any of the momentum they had been building tour after tour.
The songs are a blend of old, still-recent (from Workingman’s Dead on) and brand-new. One forgets that crowd-pleasers such as “Bertha,” “Deal” and “Playing in the Band” had come into the repertoire only eight months earlier, and “Truckin’” and “Sugar Magnolia” were just over a year old. Even a bunch of the cover tunes were relatively recent additions—“Big Railroad Blues,” “Me & Bobby McGee” and “Johnny B. Goode.” Keith handles all of those (and earlier chestnuts like “Cold Rain and Snow” and “Beat It On Down the Line”) with his characteristic aplomb, but perhaps most impressive is how he fares on the Dead’s big jamming numbers. On Disc Two, you’ll hear his thoughtful and inventive contributions to a truly stellar, 29-minute version of “That’s It for the Other One.” And on Disc Three (from 10/21), listen to him as he navigates through a spectacular “Dark Star,” which is split by a spirited romp through “Sitting on Top of the World.” The encore of 10/21 also features the first of only three “old school” (pre-hiatus) versions of “St. Stephen” Keith played on.
Dave's Picks Volume 3
October 22, 1971
$27.98
Listen to free streams from
Dave's Picks, Volume 3
DAVE’S PICKS VOL.3 FEATURES SHOWS FROM KEITH’S FIRST TOUR!
In all the years that archival Grateful Dead recordings have been coming out, there have been only two from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a third: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.
Keith came into the band in mid-September ’71, at a time when Pigpen was desperately ill and the band was hungering for something new to help fill out their sound. A sparkling pianist, Keith was a complete unknown at the time, yet, miraculously it seemed, fit in with the Dead immediately. The live “Skull & Roses” double-album (recorded in the winter-spring of ’71) had just come out, and the band was still enjoying a surge of unprecedented popularity since Workingman’s Dead and American Beauty had come out the previous year. They were on a roll!
Never ones to rest on their laurels, however, the band continued their torrid pace of introducing new songs: “Sugaree” and “Brown-Eyed Women” first appeared in the summer of ’71, and that fall, when the band with Keith hit the road, starting out in Minneapolis (10/19) and then moving on to Chicago (10/21-22), they had a whole bunch of other freshly minted tunes to waiting to be born—“Tennessee Jed,” “Jack Straw,” “Mexicali Blues,” “Ramble On Rose,” “Comes A Time” and “One More Saturday Night,” all of which appear on this set.
The sparkle and verve that Keith brought to the band is immediately apparent, as he tears through rockers and bouncy mid-tempo numbers with the confidence of someone who had been playing this music forever. If the quiet keyboardist was nervous or unsure of himself on this first jaunt, it certainly wasn’t apparent. And you can feel the electricity in the rest of the band, as Jerry, Phil, Bob and Bill absorb and play off of the amazingly inventive musings of their new recruit. Of course Pigpen’s absence was deeply felt (and the band acknowledged it at every stop), but Keith’s entrance was so seamless and the energy he injected into the music so impressive, the group didn’t appear to lose any of the momentum they had been building tour after tour.
The songs are a blend of old, still-recent (from Workingman’s Dead on) and brand-new. One forgets that crowd-pleasers such as “Bertha,” “Deal” and “Playing in the Band” had come into the repertoire only eight months earlier, and “Truckin’” and “Sugar Magnolia” were just over a year old. Even a bunch of the cover tunes were relatively recent additions—“Big Railroad Blues,” “Me & Bobby McGee” and “Johnny B. Goode.” Keith handles all of those (and earlier chestnuts like “Cold Rain and Snow” and “Beat It On Down the Line”) with his characteristic aplomb, but perhaps most impressive is how he fares on the Dead’s big jamming numbers. On Disc Two, you’ll hear his thoughtful and inventive contributions to a truly stellar, 29-minute version of “That’s It for the Other One.” And on Disc Three (from 10/21), listen to him as he navigates through a spectacular “Dark Star,” which is split by a spirited romp through “Sitting on Top of the World.” The encore of 10/21 also features the first of only three “old school” (pre-hiatus) versions of “St. Stephen” Keith played on.
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
Re: Grateful Dead
par Tiger 20.06.12 12:31
Et je répètes ce que j'ai dit sur le forum rg, car c'est brillant, intelligent, recherché, travaillé, esthétique, parfait et important :
Dave's Pick's 4 : 08/05/1977
C'est dit, c'est fait.
Sinon, des concerts de 1971, ce seraient bien.
Le 31/10/1971 à Ohio à la setlist suivante
Set 1:
d1t01 - Bertha
d1t02 - Me And My Uncle
d1t03 - Deal
d1t04 - Playing In The Band
d1t05 - Loser
d1t06 - El Paso
d1t07 - Tennessee Jed
d1t08 - Jack Straw
d1t09 - Big Railroad Blues
d1t10 - Brown Eyed Women
d1t11 - Mexicali Blues
d1t12 - Casey Jones
d1t13 - Cumberland Blues
d1t14 - One More Saturday Night
Le premier Set est écoutable sur archive.org ici
Set 2
d2t1 - Dark Star >
d2t2 - Jam >
d2t2 - Sugar Magnolia
d2t3 - St Stephen
d2t4 - Not Fade Away >
d2t5 - Goin' Down the Road Feelin' Bad >
d2t6 - Not Fade Away Reprise
Le second Set est écoutable sur le Dick's Picks vol. 2
Encore:
d1t15 - Johnny B. Goode
Dave's Pick's 4 : 08/05/1977
C'est dit, c'est fait.
Sinon, des concerts de 1971, ce seraient bien.
Le 31/10/1971 à Ohio à la setlist suivante
Set 1:
d1t01 - Bertha
d1t02 - Me And My Uncle
d1t03 - Deal
d1t04 - Playing In The Band
d1t05 - Loser
d1t06 - El Paso
d1t07 - Tennessee Jed
d1t08 - Jack Straw
d1t09 - Big Railroad Blues
d1t10 - Brown Eyed Women
d1t11 - Mexicali Blues
d1t12 - Casey Jones
d1t13 - Cumberland Blues
d1t14 - One More Saturday Night
Le premier Set est écoutable sur archive.org ici
Set 2
d2t1 - Dark Star >
d2t2 - Jam >
d2t2 - Sugar Magnolia
d2t3 - St Stephen
d2t4 - Not Fade Away >
d2t5 - Goin' Down the Road Feelin' Bad >
d2t6 - Not Fade Away Reprise
Le second Set est écoutable sur le Dick's Picks vol. 2
Encore:
d1t15 - Johnny B. Goode
Tiger- Messages : 2058
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Re: Grateful Dead
par vincent 22.06.12 9:36
Superbe article que je ne connaissais pas... Merci et encore 1000 fois merci!!!!!!
vincent- Messages : 5356
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Re: Grateful Dead
par vincent 22.06.12 9:51
Photo datant du 11 février 1969 au Filmore East. Ce jour-là le Dead ouvrait pour Janis Joplin. A noter Tom Constanten aux claviers... On peut voir Bob Weir en train de parler avec les roadies derrière Bill aux fûts.
vincent- Messages : 5356
Date d'inscription : 13/07/2011
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vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
Re: Grateful Dead
par Wu wei 22.06.12 9:55
je crois que c'est la première fois que je vois jerry imberbe ! (merci pour la légende de la photo du coup
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vincent- Messages : 5356
Date d'inscription : 13/07/2011
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Date d'inscription : 13/07/2011
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Re: Grateful Dead
par vincent 22.06.12 9:59
En 1966, quand il donnait les concerts pour les Acid Tests des Merry Pranksters.
vincent- Messages : 5356
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Re: Grateful Dead
par vincent 22.06.12 10:17
Magazine l'Equipe du 9 septembre 2011
Article intéressant. Restitution tel quel.
Aux JO de 1992, un maillot très rock'n'roll
Les jeux olympiques de Barcelone en 1992 marquent la première compétition internationale de la Lituanie indépendante. Un évènement auquel le pays, en pleine banqueroute après s'être extirpé de l'URSS, a bien failli ne pas participer.
Mais il a trouvé une aide providentielle et inattendue. "Sarunas Marciulionis, que j'avais fait venir aux Golden State Warriors, et moi-même, se remémore Donnie Nelson, essayions de lever des fonds pour permettre à l'équipe d'aller à Barcelone, en faisant du porte-à-porte, en donnant des discours. Un jour, un manager du groupe Grateful Dead m'appelle. J'ai d'abord cru à une blague".
Mais le mythique groupe de rock ne plaisantait pas et signa un gros chèque qui permit à la Lituanie de jouer. Avec ce chèque, une caisse de tee-shirts flashy aux couleurs du drapeau lituanien, représentant un squelette — symbole du Grateful Dead — réalisant un smash. "Les joueurs les ont adorés, rapporte Nelson. Ils les portaient tout le temps." Y compris lors de la remise de leur médaille de bronze, sur le podium. L'image est restée. "Pour remercier le Grateful Dead, mais aussi parce que ce squelette et cette explosion de couleurs symbolisaient ce pays qui revenait à peine du monde des morts…" Y.O.
Article intéressant. Restitution tel quel.
Aux JO de 1992, un maillot très rock'n'roll
Les jeux olympiques de Barcelone en 1992 marquent la première compétition internationale de la Lituanie indépendante. Un évènement auquel le pays, en pleine banqueroute après s'être extirpé de l'URSS, a bien failli ne pas participer.
Mais il a trouvé une aide providentielle et inattendue. "Sarunas Marciulionis, que j'avais fait venir aux Golden State Warriors, et moi-même, se remémore Donnie Nelson, essayions de lever des fonds pour permettre à l'équipe d'aller à Barcelone, en faisant du porte-à-porte, en donnant des discours. Un jour, un manager du groupe Grateful Dead m'appelle. J'ai d'abord cru à une blague".
Mais le mythique groupe de rock ne plaisantait pas et signa un gros chèque qui permit à la Lituanie de jouer. Avec ce chèque, une caisse de tee-shirts flashy aux couleurs du drapeau lituanien, représentant un squelette — symbole du Grateful Dead — réalisant un smash. "Les joueurs les ont adorés, rapporte Nelson. Ils les portaient tout le temps." Y compris lors de la remise de leur médaille de bronze, sur le podium. L'image est restée. "Pour remercier le Grateful Dead, mais aussi parce que ce squelette et cette explosion de couleurs symbolisaient ce pays qui revenait à peine du monde des morts…" Y.O.
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
vincent- Messages : 5356
Date d'inscription : 13/07/2011
Age : 48
Re: Grateful Dead
par upfromtheskies 22.06.12 10:39
Ben alors là, ça m'en bouche un coin! Je n'avais jamais entendu parler de cette histoire, et pourtant je suis le sport de près.
C'est sûr que, sortis de la grisaille soviétique communiste, des maillots comme ça, ça a dû les doper!
Une très belle histoire.
C'est sûr que, sortis de la grisaille soviétique communiste, des maillots comme ça, ça a dû les doper!
Une très belle histoire.
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Sujets similaires» Grateful Dead - History of the Grateful Dead, Volume One (Bear's Choice) (1973)
» Grateful Dead - The Grateful Dead (1967)
» Grateful Dead - Birth Of The Dead (2003)
» Grateful Dead - Live/Dead (1969)
» Grateful Dead - Workingman's Dead (1970)
» Grateful Dead - The Grateful Dead (1967)
» Grateful Dead - Birth Of The Dead (2003)
» Grateful Dead - Live/Dead (1969)
» Grateful Dead - Workingman's Dead (1970)
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