Re: Tous les concerts du Beacon Run 2009 en direct live ....

[Ayler]

Clapton a du mal avec les répertoires élargis, c'est un fait. Cela dit, les quelques titres vu sur Youtube m'ont bien plu - même si je préfère Derek à la slide.

[Michel]

Les solos de Warren sont assez fantastiques !
Et puis le jeu de Gregg et sa voix !

[Francky]

et les "backing vocals" de Warren sur Little Wing . Ouuuuuuaaaahhhhh !!!!!

Gregg est en super forme, c'est une bonne nouvelle.
Entre deux je me suis fait le Fillmore East original et il est meilleur maintenant.

Le moins bon dans l'histoire c'est l'éclairagiste qui sais plus où donner du projo. Mais nous on
sait où regarder !

[Ayler]

Eric Clapton got right down to business with the Allman Brothers at the Beacon Theater on Thursday night. Taking the stage to a welcoming roar — his guest turn, while unannounced, was by no means an airtight secret — he picked up his light blue Stratocaster and dug into “Key to the Highway,” a Big Bill Broonzy tune. As a blues shuffle, it was a good fit all around, and Mr. Clapton, on vocals as well as on guitar, gave it purpose and presence.

There was also a calculated weight behind the song, which Mr. Clapton recorded with the guitarist Duane Allman in 1970 for the Derek and the Dominos album “Layla and Other Assorted Love Songs.” Allman, who died the following year in a motorcycle accident, was Mr. Clapton’s original connection to the Allman Brothers. And so Mr. Clapton’s feverishly anticipated walk-on — arriving halfway through a 15-night run at the Beacon, the band’s traditional spring residency — gave the impression of a survivor paying his respects, airing a private sentiment in an extravagantly public setting.

The commemorative mood reached well beyond Mr. Clapton’s shift, which constituted the last six songs of the show. At the outset, after the lights dimmed, a written invocation appeared on a large screen above the stage: “Welcome to the 40th Anniversary of the Allman Brothers Band.”

Then came a dedication “to the man who started it all,” and a succession of photographs of Duane Allman, at work and at play. “Little Martha,” a ballad he recorded shortly before his death, provided a wistful soundtrack for this reverie; the band’s guitarists, Warren Haynes and Derek Trucks, played it with all appropriate care.

Duane Allman was just shy of 25 when he died, and his tenure in the Allman Brothers barely lasted a few years. But he was the founding father of the republic; its sound still bears his signature. The current lineup includes his younger brother, the keyboardist and lead singer Gregg Allman, along with the drummers Butch Trucks and Jaimoe — all charter members. And in their frontline interplay, Mr. Haynes and Derek Trucks (Butch’s nephew) bring their own voices, but with a profound awareness of tradition.

The first half of the show was an affirmation of bedrock values, with some of the sturdiest songs from the Duane Allman era: “Statesboro Blues,” “Revival,” “Don’t Keep Me Wonderin,’ ” “Done Somebody Wrong.” Gregg Allman was in strong vocal form, and the rhythm section (also with the bassist Oteil Burbridge and the percussionist Marc Quiñones) chugged along expertly. The set kept gathering steam as it went on: “Whipping Post,” the last salvo before intermission, felt both inevitable and unassailable.

When it was his turn onstage, Mr. Clapton seemed acutely conscious of his role, careful not to throw the tone off balance. This was probably a necessary measure, even in the wake of a satisfying first half. (Surely he understood that there were fans preparing themselves for a celestial event.) It meant something that he played “Dreams,” a somewhat ethereal staple of the Allman canon, in addition to several songs from the “Layla” files.

Mr. Clapton was impressive, thoroughly himself, on every song. But the best thing about the appearance was his camaraderie with Derek Trucks. During an extended interlude in “Why Does Love Got to Be So Sad,” they improvised a duologue with no extraneous sparks, pushing each other but also yielding, on an equal plane.

Their rapport — forged when Mr. Clapton brought Mr. Trucks on tour a few years ago — was just as deep on “Little Wing,” which occasioned a fiery solo by Mr. Haynes, and “Anyday,” which featured Susan Tedeschi, Mr. Trucks’s wife, on background vocals.

The encore was “Layla,” the song itself, and while it started as a gold medal showcase for Mr. Clapton, its mellower coda became a concerto for Mr. Trucks. Playing with a slide, he was melodic, vocal, imploring. That he was expanding on a part originated by Duane Allman only made the gesture feel all the more like an offering.

Source : http://www.nytimes.com/2009/03/21/arts/music/21allm.html?_r=1&ref=music

[Ayler]

Un peu de lecture sur Where's Eric :

http://www.whereseric.com/tour/special-gigs/19-March-2009_allman-brothers-band-guest-eric-clapton-beacon-theatre-nyc.html

http://www.whereseric.com/news/2009/03/eric-clapton-allman-brothers-band-guest-appearance-beacon-theater-new-york-city-19-march-2009.html

[Francky]

SET LIST MARCH 21, 2008
-
In Memory of Elizabeth Reed (w/ Bruce Hornsby, piano)
-

Très belle version, avec trois soli croisés à la fin.

[Francky]

THE Allman Brothers Band
3-23-09
The Beacon Theatre – NYC, NY


Set I:

Don't Want You No More >
It's Not My Cross To Bear
Done Somebody Wrong (w/ Thom Doucette, harp)
Can't Lose What You Never Had
Desdemona (w/ Ron Holloway, tenor sax)
New Instrumental
Soul Serenade (w/ King Curtis Kingpins, Ron Holloway, and Mike Mattison)*
Memphis/Beacon Soul Stew (w/ King Curtis Kingpins, Ron Holloway)*
Them Changes (w/ King Curtis Kingpins, Ron Holloway)*
You Don't Love Me (w/ Thom Doucette)

Set II:

Little Martha >
Blue Sky >
Little Martha
I WALK ON GUIILDED SPLINTERS (w/ John Bell & JIMMY HERRING) **
IT STONED ME (w/ John Bell & JIMMY HERRING)
CAN'T FIND MY WAY HOME (w/ John Bell & JIMMY HERRING)
Leave My Blues
LES BRERS (w/ JIMMY HERRING)
Encore
Statesboro Blues

* Les Kingpins dont le légendaire Jimmy Smith à l'Hammond B3 remplacent Oteil, Butch, et même Gregg !

** de Widespread panic

[Ayler]

http://www.relix.com/Features/Daily_News/Eric_Clapton,_Bruce_Hornsby_and_Southside_Johnny_Among_Weekend_Beacon_Guests_200903233804.html



http://www.rollingstone.com/rockdaily/index.php/2009/03/20/random-notes-eric-clapton-janes-addiction-amy-winehouse-rihanna-and-the-week-in-rock/

[Francky]

THE Allman Brothers Band
3-23-09
The Beacon Theatre – NYC, NY


Set I:

Don't Want You No More >
It's Not My Cross To Bear
Done Somebody Wrong (w/ Thom Doucette, harp)
Can't Lose What You Never Had
Desdemona (w/ Ron Holloway, tenor sax)
New Instrumental
Soul Serenade (w/ King Curtis Kingpins, Ron Holloway, and Mike Mattison)
Memphis/Beacon Soul Stew (w/ King Curtis Kingpins, Ron Holloway)
Them Changes (w/ King Curtis Kingpins, Ron Holloway)
You Don't Love Me (w/ Thom Doucette)

Set II:

Little Martha >
Blue Sky >
Little Martha
I WALK ON GUIILDED SPLINTERS (w/ JB & JIMMY HERRING)
IT STONED ME (w/ JB & JIMMY HERRING)
CAN'T FIND MY WAY HOME (w/ JB & JIMMY HERRING)
Leave My Blues
LES BRERS (w/ JIMMY HERRING)
Encore
Statesboro Blues

On se rapproche de la grande célébration du 26, ou en principe ne devraient jouer que des membres passés du groupe, comme Jimmy Herring, Chuck Leavell... et le programme serait l'intégrale du Fillmore East.
Ce soir on a donc eu Tom Doucette à l'harmonica, et Soul serenade, citée en son temps par Duane.
Encore de la bien belle musique !

[eddie]

Superbes les photos et la set-list avec Clapton.

[Francky]

ABB
BEACON
MARCH24/09
Set 1

Hot 'Lanta
Ain't Wasting Time No More
Rockin' Horse w/Litlle Martha and Blue Sky Jams
Trouble No More
Going Down Slow w/Tom Doucette and Bob Margolin
All Night Long w/Tom and Bob *
Midnight Rider w/Sonny Landreth
Dreams w/Sonny
Southbound wJohn Popper and Sonny


Set 2

Jesus Left Chicago w/Billy Gibbons and the whole band wearing fake beards!!
Stormy Monday w/Billy
Statesboro Blues w/Billy
The Same Thing w/an Oteil solo and John Popper
Mountain Jam>
Smokestack Lightning>
3rd Stone From The Sun Jam>
Mountain Jam

Encore

One Way Out w/Sonny Landreth, Bob Margolin and John Popper


http://www.swampland.com/posts/view/title:the_allman_brothers_band_at_the_beacon_march_24_2009

Soirée Southern, donc, et facétieuse. Tout le monde a mis des fausses barbes à la ZZ TOP pour jouer avec Gibbons.
Sonny Landreth c'est celui que Warren présente sur Deepest end comme "one of the greatest slide players in the world". Comme ça on peut juger. J'aime bien ce qu'il fait avec eux, mais seul il est moins inspiré.

Et John Popper, c'est celui qui a servi de comparaison avec Bruce Willis sur les forum.
Pour ses détracteurs il est jugé un peu trop bavard. à voir.

[Francky]

Allman Brothers Band
3/26/09
Set 1
Don't Want You No More
It's Not My Cross to Bear
Black Hearted Woman
Trouble No More
Every Hungry Woman
Dreams
Whipping Post

Set 2
Revival
Don't Keep Me Wonderin'
Midnight Rider
In Memory of Elizabeth Reed
(I'm Your) Hoochie Coochie Man
Please Call Home
Leave My Blues at Home

Encore: Statesboro Blues

l'intégralité des deux premiers albums, sans AUCUN guest ni membre passé du groupe.
pas vu en direct et le replay passe pas encore.
à suivre....

[Francky]

MARCH27/09

1st Set: – 1:18
Ain't Wasting Time No More
You Don't Love me
New Instrumental – Orfeo (sp)
End of the Line
The Sky Is Crying w/ Jimmy Hall
Grits Ain’t Groceries w/ Jimmy Hall
Keep On Smilin’ w/ Jimmy Hall
Soulshine w/Paul Riddle & Kid Rock (No Jaimoe)
Can't You See w/ Jimmy Hall, Kid Rock & Paul Riddle (No Jaimoe)

2nd Set: 1:21
Freebird (No Butch)
No One to Run With
Who's Been Talkin' w/Ivan Neville
Midnight Rider w/Devon Allman
One Way Out w/Jimmy Hall, Devon Allman & Barry Oakley Jr (No Oteil)
Les Brers w/Paul Riddle
Encore:
Melissa (Gregg – acoustic ; No Derek, Jaimoe or Mark)
Southbound w/Jimmy Hall, Paul Riddle & Barry Oakley, Jr (No Oteil or Jaimoe)

[Francky]

march 28th, 2009, the Beacom, NYC NY

Set 1 (8:33 > 10:04)
Little Martha
Done Somebody Wrong
Trouble No More
Rocking Horse (3rd Stone tease>Little Martha tease>Blue Sky tease)
Walk On Guilded Spinters
Who To Believe
Born Under A Bad Sign w/Floyd Miles
Stormy Monday w/ Floyd Miles & Chuck Levell
Come & Go Blues w/ Chuck Levell
Jessica w/ Chuck Levell & Paul Riddle

Set 2 (10:56 > 12:24)
Sugaree w/Bob Weir & Phil Lesh
I Know You Rider w/Bob Weir & Phil Lesh
Franklin's Tower w/Bob Weir & Phil Lesh & Chuck Levell
Black Hearted Woman
Mountain Jam w/ Chuck Levell

encore (12:28 - ??)
Statesboro Blues


Ben voila, c est fini>
Je suis en Syrie la et y a pas l adsl, je vais devoir patienter et vous faire patienter pour une revue des 3 derniers concerts.
Ceux aui y etaient ont l air content....

[Ayler]

http://www.gibson.com/en-us/Lifestyle/News/allmans-bros-327/

[Michel]

Pour avoir une petite idée c'est en MP3 et de l'audio
http://jollyjoke.blogspot.com/2009/04/allman-brothers-band-beacon-run-09.html

[Francky]

Or donc pour la première fois le groupe devait éditer l'intégrale cd du Beacon run.
Ils ont même passé les pré commandes et encaissé le fric.

Et puis ce matin :
"It is our hope that all remaining issues with the Beacon CDs will be resolved by the time the band goes back on the road in mid-August. If that happens, it will take about 4-6 weeks for everything to be manufactured. Therefore a September/October delivery date is probable. If these issues are not resolved by the end of August we will begin issuing refunds. Hittin' the Note and the Allman Brothers Band would like to thank all of our customers and fans for their remarkable patience during this process."

A mon avis les problèmes sont pas techniques. Moi l'intégrale je me la suis faite à partir du flux Moogis et c'est excellent, même et surtout fort sur une chaîne de salon.
Sûrement comme d'habitude des problèmes de droits, vu qu'au Beacon y'a beaucoup plus de guests que les copains qui viennent jammer d'habitude en tournée. La préparation mentale a commencé mais ça a l'air mal barré.

Ceux qui ont l'intégrale moogis ont un trésor !

[Francky]

Après de longues incertitudes, liées aux contrats tellement y'a de guests, on peut donc pour la première fois acheter le Beacon run, et en particulier les deux concerts avec Clapton.
http://www.hittinthenote.com/cart/p-945-allman-brothers-band-br-beacon-theater-31909.aspx

Je peux pas juger de la qualité sonore de cette édition, vu que je me suis fait la mienne d'après le streaming Moogis, déjà excellent.


27$, 20 euros le concert, faut pas hésiter. Evidemment, la box à 500 dollars c'est autre chose. Mais quand on aime...

[kjp]

Tiens il me semblait que c'était sorti sur un label hollandais il y a quelques semaines déjà


Quoiqu'il en soit, merci pour l'info Francky.

[kjp]

Tiens il me semblait que c'était sorti sur un label hollandais il y a quelques semaines déjà


Quoiqu'il en soit, merci pour l'info Francky.

Je viens de vérifier. Sur le label hollandais c'est le concert japonais "Wow Wow" qui est paru en DVD. Quant à ce lien cd, il est paru il y a un petit moment déjà, depuis le 5/6 octobre pour ma part si je ne dis pas de bêtises.

[Francky]

Je viens de vérifier. Sur le label hollandais c'est le concert japonais "Wow Wow" qui est paru en DVD. Quant à ce lien cd, il est paru il y a un petit moment déjà, depuis le 5/6 octobre pour ma part si je ne dis pas de bêtises.

Certes, c'est pas un scoop, mais la nouveauté c'est qu'ils livrent pour Noël.
Y'a des très belles choses sur les concerts de la tournée printemps / été aussi, d'ailleurs.

[kjp]

[quote="Francky"]

mais la nouveauté c'est qu'ils livrent pour Noël.

[Michel]

Moi aussi j'ai déjà repiqué la totalité des shows, mais c'est quand même une super bonne nouvelle !

[Nestor]

J'ai reçu quelque concert en instant live, le son est quand m^me bien meilleur que sur les soundboards repiqués sur moogis, ça vaut le cout de les acheter!

[Ayler]

Petit flashback :
http://www.rollingstone.com/rockdaily/index.php/2010/02/18/derek-trucks-goes-behind-the-allman-brothers-beacon-box-set/

[Purple Jim]

[Contenu sponsorisé]